Events

How can collected knowledge and materials be transformed into circular practices? At the end of the project period, the Living Library invites everyone to an evening of intertwined conversations, artistic inputs, and performative gestures. From impulse talks on afterlife and urban gardening to sound performances, a bioregional dinner picnic, and a compost ritual: join us and toast the end and the new beginning! We will conclude by celebrating the official launch of the publication—accompanied by drinks and DJs.

More information following soon.

As part of the research developed for the Living Library project, the first section will be dedicated to building a mini DIY composter, allowing participants to address composting from different perspectives, such as how to compost food and new organic materials.

Based on the Living Library's ongoing research on soil and the collection of different samples, some soil structures will be observed in connection with their regional areas and nutrient composition. As the ultimate goal, participants will learn how to reuse the soil compost as a sustainable plant fertiliser.

The workshop is open to a wide audience of adults, art and design students, researchers, or anyone simply curious. It is accessible via registration at livinglibrary@hfg-karlsruhe.de. The workshop will be held in English

At 6pm participants will be invited to the Blaue Salon Cinema at HfG, for the screening of Taste of the Land documentary by Adam Loften, Emmanuel Vaughan-Lee | USA 2024 | 70 min | DCP | Original version with English subtitles | with Kalyanee Mam

The two events complement each other and show how close our relationship to the soil is and what role it plays in the global ecosystem.

In connection with this workshop, on Saturday, 22nd November, the ZKM will organise a guided tour to the Assembling Grounds Exhibition, to which the Living Library is taking part.

Opening «La Carte Locale», a one-night-only wine bar hosted by the Living Library. Join for a glass of wine and an evening of mapping memories, personal stories, and knowledge of the local region around Karlsruhe.

August 2nd from 6pm until 10pm during the annual Karlsruher Museumsnacht.

Lorenzstraße 15 (HfG Karlsruhe)

With designers Freia Achenbach and Hannah Segerkrantz, students explored hempcrete and rope-making. After field visits to a hemp processing site and a traditional ropemaker, the workshop highlighted hemp as a material of ecological resilience, combining building techniques with craft processes.

Freia Achenbach is an artist and designer creating objects and spaces that foster emotionally resonant and ecologically grounded relationships between people and their environment. Her practice is guided by a continuous process of researching, sensing, and experimenting with materials, crafts, and technologies - combining analytical thinking with intuitive making. This approach translates into outcomes across a variety of scales, ranging from material research, bespoke objects to public installations.

The notion of agency is always central in the work of Hannah Segerkrantz, and goes in parallel with the re-definition of what we address as our ‘surroundings’. With an interest for the intersection between architecture and radical ecologies, her approach to research is environmental, sensitive and contextual. Whether exploring the cultural background and gestures of architectural materials, or studying the relations between objects, people and local traditions, she offers tools and means for bridging our connection with the environments we inhabit.

Media-artist Filipa César and the design studio Atelier Schaft introduced invasive species as controversial yet fertile material sources. During the field trip to the woods with a local forester, invasive plants were removed under expert supervision, while in the workshop - using composite binders and pigments - conventional notions of belonging, ownership, and value in ecology were challenged.

Prof. Filipa César is an artist, filmmaker, educator and community organizer. She is interested in the fluid borders between cinema and its reception, the politics and poetics of the moving image and archival practices. Since 2011, César has been collectively researching the militant cinema practice of the African Liberation Movement in Guinea Bissau, through the production of workshops, archives, films, performances, publications and community gatherings.

Atelier Schaft is a design studio based in Rotterdam, the Netherlands focusing on projects that combine design, nature, and handcrafted bio-materials. Known for its innovative use of invasive plants such as the Giant hogweed, the studio crafts unique objects, facilitates material workshops, and embraces collective creation.

Tour & Talk ist ein offenes Format für alle HfG Angehörigen und Öffentlichkeit, bei dem die Räumlichkeiten der Living Library und die zugehörige Materialsammlung vorgestellt werden. Die Besucher werden in das Materialregalsystem eingeführt, das unter anderem von HfG-Studierenden während des vergangenen Wintersemesters entwickelt wurde. Abschließend folgt eine Frage- und Diskussionsrunde.

11:00 - 12:30, Living Library (EG)

In this mini-workshop for HfG staff and students, we expand the large Living Library map to include your personal stories and local knowledge of Karlsruhe. Come join us for 5 minutes or sit down for a nice free eco-coffee, everything is welcome!

1pm - 2pm, Living Library (ground floor)

A field trip led by product designer Simon Gehring and wood mediator Stefan Kudermann connected forest ecosystems, carpentry shops, and timber factories. The workshop on joinery emphasised wood as a responsive material, asking how construction can shift from extraction to dialogue.

Simon Gehring is an Industrial Designer, Researcher and Digital Artist, and Computational Designer. His work is characterised by the use of digital and generative tools and the exploration of innovative manufacturing processes and materials.

Stefan Kudermann is the Managing Director of Zentrum Holzbau Schwarzwald GmbH (ZHS). At the Black Forest company Holzbau Bruno Kaiser, he worked as a field sales representative, project developer, and marketing manager. He is also a member of the LEADER decision-making body and a member of the Freiburg Architecture Forum.

Designers Nina Flaitz and Liene Kazaka introduced mycelium as both a biological network and a design material. After a visit to the local fungi herbarium and a mushroom hike in the Rhine floodplains, students experimented with mycelium growth and its textural properties in the lab.

Nina Flaitz is a graphic designer and material researcher based between Stuttgart and Lausanne. She earned her diploma in Visual Communication from the Stuttgart State Academy of Fine Arts in 2022. Nina Flaitz is the founder of Mycelium Resources, a research platform dedicated to exploring the potential of mycelium-based materials and their practical applications. The platform aims to promote innovation and facilitate collaboration among experts in mycelium research and development.

Liene Kazaka is a designer and researcher exploring material-based storytelling through sustainability across disciplines. She focuses on living systems to develop fabrication methods that reflect human-nature relationships. After working as a woven textile designer for the luxury market in Scotland, she pursued an MA in Material Futures at Central Saint Martins to investigate alternative materials and approaches. Her practice now centres on interdisciplinary experimental research, particularly involving fungi.

With the material designers Verena Brom and Loana Flores, students traced local food waste streams, visiting producers and distributors. In the workshop, students transformed discarded matter into dyes and printing pastes, linking sustainability with colour, craft, and storytelling.

Verena Brom is a material designer, product developer, and researcher based in Berlin, Germany. During her studies she started 'A Matter of Fruit', which develops new plant-based materials. Verena holds a B.Sc. in Clothing Technology / Fabric Processing from the University of Applied Science Berlin.

Loana Flores graduated as a Fashion designer at the University of Buenos Aires. In 2011 she started 'Ocloya Studio', an artistic and multidisciplinary study emphasising new ideas, languages and possible solutions for textile and fashion.

Designers Carolin Schelkle and Nina Havermans guided visits to sheep farms and processing sites. The workshop explored felting and composite recipes, reframing wool as a bioregional resource with social as well as material entanglements.

Nina Havermans is a designer who graduated from Design Academy Eindhoven in 2012. She specialised in biomaterials for sustainable design, art and architectural applications.

Carolin Schelkle is a Designer and Material Researcher from Lake Constance, Germany, holding a Bachelor of Arts in Product- and Communication Design from the Free University of Bolzano, Italy and a Master of Product Design from écal (Ecole cantonale d'art de Lausanne), Switzerland.

With Markus Bier and Vik Bayker/Michael Reindel (Compost Collective, Vienna), students learned about composting as both ecological practice and speculative method. Activities ranged from making biochar to building compost heaps, while also reflecting on cycles of transformation. Field visits included a local school garden and Karlsruhe’s community gardens.

Markus Bier likes the transformative power of fire. He is passionate about biomass, soil and the role of microorganisms in all digestion and transformation processes. Since 2012, Markus has been producing and utilising biochar from residual biomass in gardens, crops and food waste. After founding the German office of the international NGO Solidaridad Network in 2017, he is now responsible foar coffee as Corporate Partnerships Manager.

Michael Reindel and Vik Bayer are members of Compost Collective (Vienna). Within his sculptural practice Michael Reindel interlaces local and global circumstances of places, in order to correlate them with infrastructural processes, which form our present. Vik Bayer is an artist and filmmaker who mainly works on and with agriculture as a form of care-taking that entails the possibility of radically changing our hegemonic extractivist reality.

The team will start the workshop with a brief introduction about the Living Library project and how it relates to the Bio Design Lab, now located at the Ufo space, showing what tools they offer on their website and how students can use them to explore the local area. Furthermore, the team will introduce the Living Library's new space, its educational programme and how students can sign up for it.

The students will discover more in detail about the material library display and the shelf system, through a quick introduction of a compost prototype and highlighting a few materials’ properties, which can be worked on in the Bio Design Lab. The workshop, suitable for a maximum of 15 students,  will end with a group activity learning in detail how to create a bioplastic material.

On September 20, 2024, the first prototype of the “Living Library” (analog room and website) will be inaugurated with a soft opening at 6:30 pm. The transdisciplinary teaching project of the Bio Design Lab - funded by the “Stiftung Innovation in der Hochschullehre” - started in April 2024 and will explore the possibilities of future-oriented design and art in the context of regional material and manufacturing networks for two years using the medium of a temporary and circular material library. The innovative approach consists of building a hybrid material archive that is oriented towards the seasonal cycle and places the “compost” - as a conceptual metaphor and practical tool - at the center of action: The analogue collection goes through the circular stages of “sowing and planting”, “growing and harvesting” and “decaying and recycling”. In seminars, workshops and excursions, material samples including additional information for the archive are collaboratively developed, activated and documented in the digital archive. At the end of the project, the results will be published in the form of an open access publication to ensure a sustainable transfer of knowledge.

Parallel to the Living Library Opening, the dialogical exhibition section “Common Grounds” will open on September 20, 2024 at 7:30 pm with the ZKM show “Fellow Travellers” (09/2024-06/2025). In addition to insights into the ZKM orchard meadow project - initiated by the artist Stéphane Verlet Bottéro - the Bio Design Lab is showing a selection of works and projects that have been realized in the last four years since the Lab was founded. “Common Grounds” functions as both an archive and a speculative space that shows how the two initiatives - BDL and Streuobstwiese - are rethinking art and design practices as biophilic processes through different, complementary strategies. Be it through the inclusion of fungi or bees in the design process or permacircularperformances – Common Grounds – common earth, common values – deconstructs institutional spaces such as the museum or the laboratory in an experimental way and thus tests forms of co-existence that offer a breeding ground not only for human perspectives, but also for 'more-than-human' forms of existence.

The Living Futures-Colloquium is a series format aimed at fostering interdisciplinary collaboration in the HfG Karlsruhe and exploration in the realms of bio art and design, new materialism, posthumanism, more-than-human narratives, sustainability, and life cycles.

This time we’ll talk about permacircular museums, compost-core practices and the aliveness of materials with guests Stéphane Verlet-Bottéro and Eva-Maria Lopez.

A Colloquium on Experimental Ecologies, Posthuman Narratives and Beyond.

The Living Futures–Colloquium is a series format aimed at fostering interdisciplinary collaboration in the HfG and exploration in the realms of bio art and design, new materialism, posthumanism, more-thanhuman narratives, sustainability, and life cycles. This series brings together experts and practitioners from diverse fields such as art history, product design, communication design, media art, and photography to delve into the intersections of their disciplines with cutting-edge concepts in contemporary art and design.

Der Vortrag fragt nach der Rolle von Werkstoffen in einer Nachhaltigkeitsästhetik, auf deren Wirkmächtigkeit in Kunst, Design und Konsumkultur aktuell sehr gesetzt wird. Um Narrative des ‘nachhaltigen Materials’ für gestalterische Auseinandersetzungen nutzbar zu machen, wird nach den Ersatzstoffgeschichten heutiger Materialalternativen gefragt und diese in historischen Diskursen um Kunstholz, Kunsthorn und Kunstseiden verankert. Wie wurde die Materialwelt in binären Konzepten lesbar, als Natur- oder Kunststoffe unterscheidbar und als richtig und falsch, gut und böse vermarktbar?